Failed Pas de Deux--Katie Fulks

In the essay “On Grief and Reason,” Joseph Brodsky focuses on the poetry of Robert Frost and how he uses tragedy, darkness, grief, and reason within his work, especially in the poem “Home Burial.” Brodsky believes that Frost relies on grief and reason because they are “language’s most efficient fuel” or “poetry's indelible ink.”  He argues that within this poem, Frost reveals his feelings towards his relationship with life and his wife after the loss of a child. There is a power struggle between the two characters in the poem due to their lack of adequate communication and understanding of the other’s feelings. Brodsky describes this power struggle by comparing the relationship to a pas de deux, or partnering dance, of misunderstandings. He does this by focusing on the physical positioning of the couple in relation to one another. I do agree with this comparison, because in ballet there has to be communication between partners; everything must be planned and discussed. If this does not happen, the partnership fails, just like in this relationship.

I found his analysis on the staging of the two characters and its relation to the power struggle between them very interesting. Most of the time, I fail to analyze the positioning of characters within literature, which causes me to miss important points of understanding.  Brodsky uses the gender, biographical, and new criticism lenses to examine this poem. Even though this is considered an autobiographical poem by Frost, Brodsky does not want to issue “actual date on Frost.” I am confused as to why he does not want to include all of that information, but maybe that is because he does not wish to take this one side of the story as the whole truth.

Comments

  1. While reading the section about the failed pas de deux, I only took it as a failed communication but one thing I love about your analysis is that since you are a dancer you could really elaborate that into a much deeper meaning and interpretation. It is an interesting dynamic between partners while dancing that I never thought to connect with husband and wife. In dancing the male is supposed to lead, a source of struggling for the man and wife in the poem shown by their switching positions at the bottom and top of the stairs.

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  2. I appreciate your usage of personal outside information in your response and understanding of the piece. I failed to understand the portion that referenced pas de deux because of my lack of knowledge of the topic. Foster would appreciate the many connections made to outside text and information. I would agree that their "dance" falls short of being one of careful choreography. The power struggle and misunderstandings between them create friction. Yet, Brodsky would disagree arguing that the poem is "about language's terrifying success, for language." Their dialog is neither choreographed nor successful for each movement is a stumble in the poem.

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